marcelo | Tropical Shade of Green

The beginning of my sheltering in place back in March seems like so long ago. As we now reach the end of June, I harbor as much anxiety and consternation as I have before. Throughout the US as of this posting, the number of positive test results for Covid-19 keeps increasing, as well as the number of deaths. We have initiated what I believe to be a premature re-opening of the country. Where I live in a rural area of the southern state of Tennessee, most people behave as if all is normal again and do not wear masks in public. This mindset is one that I do not share.

I have been sheltering at home as much as possible. As such, I have barely seen any friends and have only visited my family briefly on a couple of occasions using masks and distancing measures. Thankfully, I love my home, and there has been no shortage of activities to fill up my time.

The lion’s share of my days have been taken up by filming. As I noted in my previous post, I have set a goal of creating 100 short films and releasing them consecutively each week every Friday. This has been an exhausting and daunting task, but its benefits have far outweighed its pitfalls. For starters, I have learned so much more about the workflow between the production and editing processes—including effective filming techniques and valuable shortcuts. From a creative standpoint, I have also become more willing to take risks and put myself out there in ways I never would have imagined for myself even a couple of years ago.

One case in point is the song (and its music video) that I released last Friday called “Cat Daddy”. On display is a goofy and fun-loving side of myself that I have largely hidden from the world. Thankfully, the sky did not fall, and the world did not end (present global circumstances notwithstanding). The creativity demanded by this filmmaking has encouraged me to be less risk-averse. This broadened template will inform all of my other projects moving forward.

Incidentally, if you have not seen “Cat Daddy” yet, here it is in all of its feline magnificence:

Outside of filming, I have, predictably, been reading a lot of books. This year, in fact, I have already far outpaced my usual quota of books by the midyear. As of this morning, I have read 22 books. In a typical year, I would have read close to six by the same point in time. This amounts to almost four times the quantity that I have read in the past. Obviously, 2020 has not been a normal year by any stretch of a reasonable imagination. Sheltering at home has certainly been conducive, but to be honest, I set a goal to read least 40 books by the end of the year back in January. This has all occurred by design.

Additionally, it is important to share what it is that I am not doing. I have resisted all temptations to watch Netflix, Hulu, and Amazon Prime despite having easy access and subscriptions to all three. Even though this is antithetical to my vocation as a filmmaker, I would rather be a creator than a consumer at this point. The latter is far too passive an existence for me. Of course, I will watch something occasionally, but I do so after thoroughly vetting the choice I have made and imposing limits on the time I devote to it.

Both of my dominant pursuits—filming and reading books—allow me to engage and inspire my imagination in ways that are active, thoughtful, and meaningful. The problem-solving that is inherent in filmmaking and the deliberate reflection that accompanies reading a good book enrich every aspect of my creative life.

Lastly, I play music and sing every. day. These days, I switch between playing the ukulele and the piano. In both disciplines, I sing a lot. This gives me immense satisfaction and feeds my creativity in ways that I cannot even begin to explain.

With this pandemic encroaching upon every facet of modern society, I shelter in my home and take life one day at a time. I stay fearful of contracting the virus myself and spreading it. I am also angered by the deaths of George Floyd, Breonna Taylor, and countless others, and I wish this virus did not exist to temper the protests in their honor.

I live each moment deliberately and hopefully. I care for myself and create my art. That is all I know to do at the moment. Despite my looming apprehensions about the world at large, this will have to be enough.

Here are a couple of my previous posts to read:

My 2020 Summer Reading Recommendations

Celebrating Ten Consecutive Weekly Film Releases

This past Wednesday (on my birthday), I released my short film YUP on Youtube! It was one of several film projects I worked on in the past year and a complete departure from anything I had ever done in the past. This week on my blog, I wanted to share a few of my thoughts about the project:

If you have not seen it yet, here it is:

Maybe you have a bunch of questions. Such as . . .

Where are the Chihuahuas?
What do the gym members drink when they enter the space just before getting slapped?
What is the code?
Why is Minerva besieged at the end?

I will tell you now that every detail of this little film serves some purpose. I put a lot of thought and intention behind the script and visuals. Entry into the space where everything happens is only granted by at least one swallow of the mystery liquid and a violent slap on the face. The answers to all of the other questions relate what happens further down in the story. If and when the sequels are made, all will be revealed.

When I was developing this piece, I had a few goals I wanted to accomplish:

I wanted to be bold and adventurous with the story. This meant creating a narrative that, in the long run, would not be linear in a traditional sense. There are a few elements that seem random, but this is by design.
I wanted to work with the immensely talented artists in my community here in middle Tennessee. Out of their willingness to help me tell this story, there was a synergy that bonded us together. It was magical.
I wanted to experiment with movement and dance. Again, I chose to express this in a non-traditional way. The stretching, the “reach for Satan”, the Versatile dance, and the “sinister approach” by the three spies near the end all reflect my ideas in this regard.
I wanted to use rich jewel and neon tones in the costuming and make-up. There needed to be bold splashes of color in as many shots as possible.
I wanted to take a stab at creating music made exclusively for this film. “WAWA” was the direct result of this. It was the first thing I worked on before filming, and I connected with my friend (and producer) Rob Tonini to record it shortly after filming wrapped.
I wanted to be creative with the dialogue by building frames through the movement of the arms and body.
Mostly, I wanted the film to be quirky and swim against the tides of convention. The opening sequence features what appears to be a man with a purse and wearing a tutu. A woman named “Laxatavia” wears strange make-up and seems to have violent tendencies. Another woman has the name “RaRaaa Kaka Kaka!!!” and uses kitchenware as a weapon. And then, of course, you have the “gently abrasive exfoliating skin creme”. What’s up with that?

Originally, this film was an assignment for my Single Cam II class at my university in which I simply had to film a conversation of any kind. I let my imagination run wild with this piece, and I gave myself permission to delve deep into dance and movement, make-up and costuming, and comedy well beyond the actual conversation in question.

I understand that this film was a creative risk. It may certainly be an acquired taste for some more than others, but I am okay with that. I was (and still am) vastly more interested in the creative process and development of this piece than its reception.

Sometimes, you simply have to create purely for the sake of creating. I am happy that I did just that.

-Roqué